First published in The Herald on 1 November, 2017
Contemporary opera always needs fresh advocates, so here’s a name to watch. Glasgow-born composer Lewis Murphy, 25, is already nearing the end of a two-year residency with one of the UK’s most prestigious opera houses. He and his regular librettist Laura Attridge use their work to consider tough contemporary matters: their latest collaborations look at the refugee crisis and female infertility via artificial intelligence. Murphy’s music is as unpretentious and plain-speaking as he is; there’s a clarity, a candidness, an emotional honesty that really works when it comes to telling difficult stories in the most unthreatening possible voice. The results are disarming, and have a tendency to get under the skin.