Out of office! I’m currently teaching a class on criticism and new music writing at the Darmstadt Summer Course.
First published in BBC Music Magazine, May 2018 edition
Danielle de Niese is doing at least five things at once. Mainly she is telling me in animated detail about the psychodynamics of Don Giovanni’s relationship with Donna Elvira, but she’s also singing the entire cast, rapid fire, covering Mozart’s opera from overture to hellfire in about two minutes flat. Meanwhile she’s demolishing a plate of calf’s liver, texting her husband to say she’s running late and applying a generous new layer of makeup to her eyes. “Girl!” she exclaims when I admire her ability to do so without a mirror. “I grew up in Los Angeles! I’ve been multitasking forever! Lipstick at the wheel, eyeliner in traffic jams, mascara at the lights…”
An hour in the company of Danielle de Niese is as high octane as the operas she inhabits. She is loud and unfiltered. She’s funny and warm. She agreed to meet our photographer for an informal shoot before the interview, yet when I arrive at the private members’ club in Covent Garden she’s in full glamour mode, draped across a sofa in fur coat and black cocktail dress. “Honey!” she greets me with a wave of a hand, ignoring my t-shirt and trainers. “This is my informal look! I would dress like this any day of the week.”