CD review: Natalie Clein plays Bloch, Dallapiccola & Ligeti

First published in the Guardian on 3 February, 2017

Bloch/ Dallapiccola/ Ligeti: Cello Suites
Natalie Clein (Hyperion)

The lone cello has played gateway to many a composer’s soul. Bach and Britten, most famously. Ernest Bloch wrote his three solo cello suites in the 1950s, near the end of his life, and they are fleeting and strange. Performed by Natalie Clein, their small scale is poignant — melancholy little vignettes, intimate and tender, as though she’s playing on her own while flitting through troubled memories in her mind. She builds a programme with two other thrawn and candid post-war pieces: Dallapiccola’s Ciaccona, Intermezzo e Adagio (1945) — muscular, disturbed — and Ligeti’s two-movement Sonata (1948-53), which contains one of the most unguardedly beautiful melodies he ever wrote. Clein is full of conviction in all of it, with fearless attack and haunting quiet passages.